Notation is not art, nor is it a program note.Notation should be considered a set of instructions for performers.The composer Dennis DeSantis, for instance, in a manifesto on notation, Some, though, take the statement to its literal extreme. The precise nature of the work can never be exhaustively realized, and that’s a wonderful thing. A performance that failed to hew to the majority of specified pitches and rhythms would surely not count, nor would a performance without even a hint of expression beyond that which To completely localize the phenomenon of Beethoven’s Seventh - it seems to exist as an impossible amalgamation of the infinite real and potential performances that reasonably conform to the It seems quite obvious that no individual performance of, say, Beethoven’s Seventh Symphony is the entire work. It’s an important warning for analysts and composers to never forget that most music itself comes from performance.īut it has its limits, too. One that I’ve been aware of ever since I began serious musical study in the 1990s is this: The score is not the music.Īs a maxim, it has its merits. Musical educations are full of standard maxims, bits of shared wisdom intended to keep us true to our craft. In The Score, American composers on creating “classical” music in the 21st century.
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